Vikrant rona movie review

  1. Vikrant Rona movie review: Creaky and convoluted
  2. ’Vikrant Rona’ Box
  3. ‘Vikrant Rona’ movie review: Kichcha Sudeep’s latest is marred by logical loopholes and a faulty narrative


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Vikrant Rona movie review: Creaky and convoluted

Vikrant Rona has a plot out of a storybook for older kids – if you ignore the numerous hangings and horror film-style jump scares. This movie likes to dangle bodies, even those of children, from the nearest available branch. It’s dark, literally so. Vikrant Rona plays out in the fictional Kamarottu village in an era where Hema Malini is already a star but electricity is in short supply. A series of murders, including that of a police inspector, brings the titular hero to Kamarottu. Vikrant (Sudeep) walks into a domestic drama playing out at the household of the landlord Janardhan (Madhusudan Rao). Janardhan’s estranged son Sanju (Nirup Bhandari) has suddenly returned. Sanju has fallen for Aparna (Neetha Ashok), who is meant to marry someone else. Vikrant’s predecessor at the police station has left behind a series of unsolved clues. A smuggler is hard at work in the jungle nearby. Kamarottu was also the site of writer-director Anup Bhandari’s debut feature RangiTaranga (2015). In Vikrant Rona, which was filmed in Kannada and has been dubbed into Hindi, Kamarottu is a portal into past and present crimes. Somewhere in the underlit houses with cellars lies the key to the mystery behind the dangling corpses. Until the interval point, Bhandari does a decent job of maintaining suspense about the motives of various characters, including Vikrant himself. But the post-interval section falls inexorably down the well in which one of the corpses has been found. The disjointed narrativ...

’Vikrant Rona’ Box

2022 yet another Pan-India film from Kannada film industry starring Sudeep in the lead role alongside Nirup Bhandari, Neetha Ashok and The film was released on July 28 in both 3D and 2D versions on more than 3000 screens in multiple languages but due to the divided talk, the film could only mint the above amount at the Indian box office. However, still it is a great achievement for a Kannada film that will easily collect Rs 100 crores in its lifetime. The film was released on 450 screens in The film has reportedly minted over Rs 1 crore from Andhra & Telangana with over 20% occupancy in theatres. The film is reportedly expected to mint another Rs 1 crore today, it is a Sunday and the distributors and exhibitors are reportedly expecting a raise in occupancy as well. Kannada cinema or Sandalwood is one of the 4 major film industries in south Indian cinema. A few Kannada films have been remade in other language industries in the past but In recent years the Industry is growing with no leaps and bounds by dubbing their good content films into other language industries. A few of its recent Pan-India films went on to mint huge money at the Indian box office, below is the list of 5 Pan-India Kannada films that shocked the Indian box-Office.Image courtesy: InstagramRead also: https://timesofindia.indiatimes.com/entertainment/telugu/web-stories/20-telugu-films-in-2022-with-complete-english-movie-titles/photostory/92974550.cms The 2022 sequel to the 2018 film 'KGF: Chapter I' is a n...

‘Vikrant Rona’ movie review: Kichcha Sudeep’s latest is marred by logical loopholes and a faulty narrative

‘Vikrant Rona’ movie review: Kichcha Sudeep’s latest is marred by logical loopholes and a faulty narrative The film fails to connect with the audience, despite the presence of Kichcha Sudeep, his actions, punchy dialogues, and the imposing visuals of a tropical rain forest July 28, 2022 06:32 pm | Updated 06:38 pm IST Vikrant Rona, a 3D action-adventure mystery thriller, and one of the highly anticipated films in Kannada after KGF: Chapter 2, is a disappointing affair, even forardent Kichcha Sudeep fans. Originally titled Phantom, the film helmed by Anup Bhandari (of Rangitaranga fame) had created a huge buzz in South India through its chilling teasers. However, the film fails to connect with the audience, despite the presence of Kichcha Sudeep, his actions, punchy dialogues, and the imposing visuals of a tropical rain forest that create an eerie ambience for the film. This is because of the loosely-knitted storyline and faulty narrative technique adopted by the director. It seems like Anup Bhandari could not come out of Rangitaranga’s influence, even seven years since its release. Storyline: Inexplicable events attributed to a supernatural force happen in the forest village of Kamarottu, while a cop investigates Though both the films have no direct connection, they resemble each others in terms of the narrative technique. Both stories are based on unusual deaths in the dense forests of the Dakshina Kannada region. While in Rangitaranga, the victims are pregnant women, Vik...